Summary: The third novel in the Stormwrack series, following a young woman’s odyssey into a fantastical age-of-sail world
Marine videographer and biologist Sophie Hansa has spent the past few months putting her knowledge of science to use on the strange world of Stormwrack, solving seemingly impossible cases where no solution had been found before.
When a series of ships within the Fleet of Nations, the main governing body that rules a loose alliance of island nation states, are sunk by magical sabotage, Sophie is called on to find out why. While surveying the damage of the most recent wreck, she discovers a strange-looking creature—a fright, a wooden oddity born from a banished spell—causing chaos within the ship. The question is who would put this creature aboard and why?
The quest for answers finds Sophie magically bound to an abolitionist from Sylvanner, her father’s homeland. Now Sophie and the crew of the Nightjar must discover what makes this man so unique while outrunning magical assassins and villainous pirates, and stopping the people responsible for the attacks on the Fleet before they strike again.
Review: I’ve said before that I have yet to read anything by Dellamonica that I dislike. Her latest novel, The Nature of a Pirate, fits firmly into my expectations, and I think is the best of the series so far. It doesn’t quite have the magic that the first book held for me, the wondrous discovery of a new world, but the story really comes to a head, and this was a real page-turner and such an amazing read for me.
Sophie Hansa is firmly set on dragging Stormwrack into the age of curiosity, introducing greater scientific procedures into the world, at least in regard to forensics and crime-solving. She studies samples of animals and plants, trying to figure out this world that is slowly unfolding before her. Culture and politics, however, are still a lost art to her, and she makes plenty of missteps along her journey, but it’s the science of things she’s primarily interested in, the biology and forensics. So when she’s thrown into the middle of a mystery involving ships that bleed, forbidden magical constructs, and the possibility of it all leading to war, she goes to the task like any mildly obsessive and headstrong person would.
And I love reading Sophie for those traits. She’s in that excellent position to allow the reader a bit of ignorance and explanation, because Sophie herself isn’t familiar with Stormwrack in the way that those who have grown up there are. Cultural missteps are bound to happen. Lack of historical or legal context. That sort of thing. Sophie being from this world, called Erstwhile, has a distinctly modern approach to things, and that works well to ground the reader, making it easier to ride on Sophie’s shoulder as she encounters new things and sees them similarly to how we ourselves would, in all their baffling glory. And her penchant for brutal honesty, calling things how she sees them, is great to read.
I have great respect for the level of detail that Dellamonica put into this novel — the whole series, really, but here it just seemed so overwhelming to keep track of, from a writer’s perspective. Writing a secondary world is always a complicated affair when you’re trying to make it stand out from the crowd, and Dellamonica definitely succeeds in that regard. But it’s more than just an Age-of-Sail world. There are multiple nations, all with their cultural idiosyncrasies that are expressed and considered in the text. Not only that, but Sophie’s efforts to bring modern science into Stormwrack when Stormwrack doesn’t have facilities and technology that we consider modern means improvising, researching early breakthroughs in certain fields and recreating old methods and refining them along the way. Some of my favourite parts of the novel involve Sophie and Bram trying to figure Stormwrack out, and devise experiments and modifications to see how things work and what can be done. It’s creative, it’s impressive, and it speaks to a whole load of behind-the-scenes work that all comes together to create a breathtakingly detailed and realistic story.
Every time I write a review for these books, I find the story very difficult to describe. Not because it’s loose and all over the place. The writing’s tight, the direction clear, and it’s a thrill ride to be on with the characters. No, it’s hard to describe because there’s so much of it. Sophie’s project to introduce fingerprint records to Stormwrack. The frights that are destroying ships. Sophie’s ongoing issues with her birth father. The mystery behind a slave she suddenly owns. So many plot threads intertwine and play off each other, some important, some less so, some seeming unimportant until they zoom to the forefront halfway through the novel. Another point in Dellamonica’s favour; for all that the story has a lot of elements to juggle, not once does it get overwhelming of confusing, beyond the confusion you’re supposed to feel because characters themselves haven’t figured out exactly what’s going on either.
Stormwrack is a world I could constantly — if you’ll excuse the pun — dive into and never be bored reading about. I love the characters, from Sophie’s headstrong intelligence to Garland’s reserved politeness to Verena’s desire to prove herself. They’re whole people, able to stand on their own and tell their own stories. I love the cultures built in the flooded world. I love the little linguistic quirks that get thrown in, pieces of a puzzle to solve. Dellamonica is a fantastically skilled writer, at the top of her game, and I can’t imagine her coming down from those heights any time soon. Do yourself a favour and pick up this series soon if you haven’t already. It’s absolutely worth the time you’ll spend reading it.
(Received for review from the publisher.)