Summary: The neighborhood of the Little East is a collision of cultures, languages, and traditions, hidden away in the city of Maradaine. A set of streets to be avoided or ignored. When a foreign dignitary is murdered, solving the crime falls to the most unpopular inspectors in the Maradaine Constabulary: exposed fraud Satrine Rainey, and Uncircled mage Minox Welling.
With a murder scene deliberately constructed to point blame toward the rival groups resident in this exotic section of Maradaine, Rainey is forced to confront her former life, while Welling’s ignorance of his own power threatens to consume him. And the conflicts erupting in the Little East will spark a citywide war unless the Constabulary solves the case quickly.
Review: It’s multicultural mayhem in the second of Maresca’s Maradaine Constabulary novels! Inspectors Rainey and Welling are called to the scene of a murder, which is par for the course as these things go. But that murder took place in a part of the city where many foreign cultures intermingle, where they don’t always get along, and where the law tends to overlook and ignore in favour of dealing with their own people. With culture clash at the forefront, Rainey having to confront her past, and Welling’s magic getting wildly out of control, it’s a race against time to see whether the murder will be solved and the perpetrator brought to justice, or a massively dangerous situation will get too out of hand to contain.
I kind of love reading about the adventures and misadventures of Rainey and Welling. They’re such a wonderful duo, loyal to their cause and to each other as partners-in-solving-crime, but that loyalty doesn’t go so far as to blind them to each others’ faults. Nor does it spill over into romance, the way so many novels do. Satrine Rainey is married, and though that’s a more complicated situation than the previous novel revealed (and what it revealed was complicated enough), she stays loyal to him. Minox Welling doesn’t seem to have an interest in Rainey, either. They have a great friendship and work-partnership, and I think part of my appreciation for that comes from comparison, seeing how most authors would have hooked up the leading male and leading female characters because that’s just what you do. Only here it isn’t, and I love seeing that.
It was particularly interesting to see the various cultures in the Little East, each with their own ways of doing things, customs, idiosyncrasies. And more than that, they weren’t just thinly-veiled versions of cultures that exist in our world today. There were a few echoes of inspiration, or at least I thought I saw some in naming conventions and the way some words sounded, but for the most part Maresca steered clear of the stereotypes that often make their way into fantasy novels that present multiple different cultures.
Again, this is something that’s best appreciated in comparison to other novels on the market. I’ve lost count of just how many secondary worlds take place surrounding characters based on Western and European ideals, running into cultures that sound like transplanted Middle Eastern or East Asian groups. It’s almost standard fare. And it’s this comparison that makes Maresca’s novels so appealing to me. On the surface, they’re fun fantasy adventures that feel a lot like comfort fiction. But dig a bit into it and you see how Maresca works to make his novels stand apart, to do things a little bit differently even when on the whole they feel very comfortably familiar. You’ve got complex familial hierarchies and mourning rituals and legal matters and all of it requires more thought behind the scenes than tends to be on the page, and from both a reader’s and writer’s standpoint, I can appreciate the work that Maresca put into making sure that individuality was there.
But even aside from dipping below the surface and liking the novel for what it isn’t, I also like it for what it is. It’s a fun romp through a fantasy city, a murder mystery with depth, and enough intrigue (as the title suggests) to keep me turning pages to see what comes next. Is Welling’s magic going to get out of hand and hurt someone? Is he going to dip further into the madness that might let him see the connections in the case? Is Rainey going to manage to avoid an assassin from her past? Are any of the Fuergans or Imachans or Lyranans ever going to cooperate without being forced to? Who even is the murderer, let alone why did they murder? There’s a lot going on, intertwining stories, and everything coming to a head at the same moment, so there’s a load of fantastic tension and momentum to keep everything moving forward at a smooth and tantalizing pace.
Though I’m going to admit, there was plenty of uncomfortable language in An Import of Intrigue. Racist epithets being hurled around, sexism, you name it. Which isn’t surprising, given the setting, and it makes perfect sense as to why it would be there. It fits. It’s part of the story being told, the way people talk. Nor do I think that it’s a reflection of the author’s attitudes to women or… Well, I can’t say people of colour, really, because the slurs used are in reference to cultures that only exist within the Maradaine novels. Nobody in this world is grey-skinned and gets called a tyzo, for instance; that’s just something that isn’t applicable. I suppose what bothers me about it isn’t so much that it exists in books so much as it existing in books is a reflection of the worlds created, which are influenced by the world we live in. We still live in a world where sexist and racist terms get used so thoughtlessly, so casually, and my discomfort isn’t with the issue being in An Import of Intrigue or any other Maradaine novel so much as it’s with what it signifies.
That being said, the colloquialisms do add flavour, and it’s very easy to get a solid feel for what Maradaine is like by the way people speak. You feel like you’re reading about a real place, complex and ugly and full of all the sights, sounds, and smells you’d find in such a place.
I normally would say that I dislike cliffhanger endings (and I do), but somehow the ending of this book didn’t bother me in the slightest. I suppose it was less of a cliffhanger and more of a strong hint at what’s to come, peeling back the layers to show what’s been in the shadows, and what could develop in future novels. It was a well-done teaser, almost like the season finale of a show you know will continue into another season, and it left me hungry for more.
When all is said and done, I really enjoyed An Import of Intrigue, not just for the interesting presentation of other cultures and the examination of Welling’s magical troubles and Rainey’s extremely fascinating past, but for the adventure I got to go on with the characters. I closed the book wanting to immediately grab another one, only there isn’t another one yet. You know a book has really grabbed you when that’s your reaction. They’re fun novels, interesting stories, great characters, and I think any fan of fantasy adventures will enjoy reading them as much as I do.
(Received for review from the publisher.)